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Act I
In an imaginary ancient Egypt, a young prince named Tamino is being chased by a serpent through a valley. After he falls unconscious, three ladies emerge from a temple and kill the snake. Tamino awakens and assumes the snake was killed by a good-natured birdcatcher named Papageno who has just arrived on the scene. When Papageno accepts the credit, the three ladies reappear and place a padlock on his lips. They then show Tamino a picture of Pamina, the beautiful daughter of their mistress, the Queen of the Night. He immediately falls in love with her. They then tell him she has been kidnapped by the evil magician Sarastro. The Queen appears and asks Tamino to rescue Pamina, which he agrees to do. The ladies free Papageno, give him a magic set of chimes, give Tamino a magic flute, and send them off on their mission.

In the palace of Sarastro, the head of a secret religious order, Pamina is being guarded by a villain named Monostatos, who is attempting to seduce her. When Papageno wanders in, the frightened Monostatos runs off, leaving Papageno to tell Pamina that her rescuer is close by.

Tamino is led by three boys to a grove in Sarastro's realm. He tries to enter the three temple doors, but is turned away from two. At the third, he is greeted by a priest, who tells him the Queen is really the evil one, and the good Sarastro was merely trying to get Pamina away from her mother's dark influence. He rushes off to find Pamina; a moment later, Pamina and Papageno enter, pursued by Monostatos. Papageno plays his magic bells, rendering the villain and his henchmen harmless. Sarastro enters and tells Pamina she is free to marry, but not to return to her mother. Tamino is brought in by Monostatos, who demands a reward from Sarastro but instead gets punished.

Act II
Sarastro informs the priests of Isis and Osiris what is going on, and explains that Tamino and Papageno are about to undergo the rites of initiation to determine if they are worthy to enter the Temple of Light. Tamino, who is brave, and Papageno, who is not, receive contradictory counsel from the priests and the Queen of the Night's three ladies, but decide to follow the priests.

Monostatos attempts one last seduction of Pamina, but is interrupted by the Queen who comes to her daughter and demands that she murder Sarastro. Instead, Pamina goes to him and begs forgiveness for her mother; he agrees, declaring that only love, not vengeance, will lead to peace and happiness.

As part of their tests, both Tamino and Papageno are sworn to silence. An old woman comes up to Papageno, declaring that she is really 18 years old and in love with him. She runs off, but three boys appear and give back to Tamino and Papageno the magic flute and bells. Pamina arrives, but she misunderstands Tamino's silence and is heartbroken. Sarastro reassures her, but she is not comforted. Papageno says that he wants a sweetheart, and the old woman returns and reveals herself to be a young woman in disguise. Her name: Papagena. As soon as she reveals herself, however, a priest orders her away.

Meanwhile, Pamina is about to commit suicide using the dagger her mother gave her to kill Sarastro. The three boys stop her and take her to Tamino, who is about to undergo the final trial. Pamina and Tamino go through the ordeal together, emerging unscathed thanks to the magic flute. Papageno rather reluctantly attempts to hang himself. Seeing this, the three boys suggest he play his magic bells. He does, Papagena appears, and the two declare their intent to raise a large family.

Monostatos has joined forces with the Queen of the Night. Their plan to kill Sarastro is foiled by an earthquake. The opera ends with Sarastro, Tamino and Pamina celebrating the victory of light over darkness.

Mozart: Die Zauberflöte LA Opera
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Related Links
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Additional Information
RUNNING TIME
3 hours and 10 minutes
including one intermission

PRE-PERFORMANCE LECTURE
One hour prior to each performance.
James Conlon interviewed by Duff Murphy
Pre-performance lectures are generously sponsored by the Flora L. Thornton Foundation and the Opera League of Los Angeles.

UNDERWRITER(S)
Revival made possible by a generous gift from
CAROL AND WARNER HENRY

With additional support from the
JANE AND PETER HEMMINGS PRODUCTION FUND,
A GIFT OF THE FLORA L. THORNTON TRUST